« HIRONDELLE », Traduction À QUATRE MAINS AVEC LÉNAÏG CARIOU, Point de CHUTE, DÉCEMBRE 2020
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"DEUX TASSES", FrAGILE REVUE DES CRÉATIONS
traduction À QUATRE MAINS AVEC LÉNAÏG CARIOU de SOn PoÈME « Décorserter »
Visions of Liberty, Rooms With Views. Squaring The Circle: Harriet Hale Woolley, Past & Present
Art Exhibition at the Fondation des États-Unis, (June 6 - July 31, 2018)
Transatlantica, 2018
Cet article est un compte rendu analytique d’une exposition qui a eu lieu à la Fondation des États-Unis du 6 juin au 31 juillet 2018 intitulée « Squaring The Circle: Harriet Hale Woolley, Past & Present » et qui a rassemblé quatorze lauréats en arts plastiques de la bourse Harriet Hale Woolley. L’exposition interroge à la fois l’histoire de la bourse et son importance pour les artistes états-unien.nne.s qui ont étudié à Paris, et ce que cela signifie d’être un.e artiste expatrié.e en France. L’article prend le pouls d’une communauté singulière réunie par ses œuvres et s’interroge sur l’expérience commune et le dialogue qui surgit du travail de chacun.e, et qui les lie.
Image : Lucy Kirkman, The Process of Painting (2010)
Cet article est un compte rendu analytique d’une exposition qui a eu lieu à la Fondation des États-Unis du 6 juin au 31 juillet 2018 intitulée « Squaring The Circle: Harriet Hale Woolley, Past & Present » et qui a rassemblé quatorze lauréats en arts plastiques de la bourse Harriet Hale Woolley. L’exposition interroge à la fois l’histoire de la bourse et son importance pour les artistes états-unien.nne.s qui ont étudié à Paris, et ce que cela signifie d’être un.e artiste expatrié.e en France. L’article prend le pouls d’une communauté singulière réunie par ses œuvres et s’interroge sur l’expérience commune et le dialogue qui surgit du travail de chacun.e, et qui les lie.
Image : Lucy Kirkman, The Process of Painting (2010)
"For A.F." (part i), Parentheses
été 2018
"Egyptian phantoms", ESSAY
love, -j., mars 2016
"As a boy, I wandered galleries lined with elaborate unearthed coffins -- dollhouse versions of chattel (human and material) to haul with you to the afterlife, the rows of stiff humorless shirtless martinets mid-stride, bedecked in serpentine headdress. I did not radiate the fascination of some of my schoolfellows.
Picking my way through the Cleveland Museum of Art’s new exhibition, Pharaoh: King of Ancient Egypt, I felt like one of the cats on display: stony, indifferent, curious. Yet as I slinked through the galleries I surprised myself in wonder..."
"As a boy, I wandered galleries lined with elaborate unearthed coffins -- dollhouse versions of chattel (human and material) to haul with you to the afterlife, the rows of stiff humorless shirtless martinets mid-stride, bedecked in serpentine headdress. I did not radiate the fascination of some of my schoolfellows.
Picking my way through the Cleveland Museum of Art’s new exhibition, Pharaoh: King of Ancient Egypt, I felt like one of the cats on display: stony, indifferent, curious. Yet as I slinked through the galleries I surprised myself in wonder..."
"Still Movement", Essay
love, -j., mars 2016
"I’m almost hesitant to label UNFIXED: The fugitive image as a photography exhibition. The show, currently on exhibition until April 3 at the Transformer Station (the Cleveland Museum of Art’s West Side annex), resists traditional assumptions about photos as pictures. Instead, it asks us to approach photography, and video, as a process that does not immortalize, but like all things inevitably dies. That death is written into the works encourages us to treat them as living objects, to find beauty in their movement, meaning in their brief passage, as in our own..."
"I’m almost hesitant to label UNFIXED: The fugitive image as a photography exhibition. The show, currently on exhibition until April 3 at the Transformer Station (the Cleveland Museum of Art’s West Side annex), resists traditional assumptions about photos as pictures. Instead, it asks us to approach photography, and video, as a process that does not immortalize, but like all things inevitably dies. That death is written into the works encourages us to treat them as living objects, to find beauty in their movement, meaning in their brief passage, as in our own..."
"It being summer, "All this about the weather, or the light in the morning", and "P.S." FORTH Magazine, novembre 2015
"Here With The Boys, The Concepción Sessions"
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News-Decoder, novembre 2015
"Paulo, Pablo, Pablo, Paolo and Marcelo. A night a while back I turned to introduce Pablo and before I could stumble, forget and mispronounce his name, he cut me off. “Not Paulo, not Paolo and not pololo.” Pololo — boyfriend — is a sure way to know someone’s from Chile..." |
& "Nights of Sleeping" dans le Nº 35.
